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This is serious business right here. For the Winter Sessions, we’ve got two of the heaviest of heavyweights coming to town: Diamond D, who is by far one of the best 45 spinners in the world (seriously, last time we had him out, he blew my mind), and 45 King, whose name speaks for itself. And these guys are gonna rock 45s for 3 full hours for y’all. That’s on top of goodness from your 45 Sessions residents. Don’t sleep! Cop presale tickets while you still can!
Shout out to Bryan at TheBeeShine for doing this interview. Always fun to talk about inspiration and motivation!
Shout out to the fine folks at Clusterfunk Collective for including me in their Take Five interview series. If you’ve ever wondered where I got my DJ name from, this interview covers that. It also covers my general DJing philosophy, the wonder of mixtapes, and, perhaps most importantly, what burrito to check for when you’re in New Orleans. You can read the whole interview right here.
At last week’s 45 Session, who should show up but The Beatnuts and Tha Alkaholiks! I knew what had to be done, so I pulled out a few breaks to cut up–strictly 45s!–and let the mic pros get busy. I’d definitely say rocking doubles of the Bill Doggett break for Juju ranks as a highlight for me. Sorry about the video quality here, but you can at least hear what went down.
The song: “Cosmic Ark’”
The producer: X-Clan
The science: When it comes to X-Clan, almost all the discussion is about the group’s breakout debut LP, To the East, Blackwards, with the remaining discussion being focused on septum rings, ankhs, and “sissssiiiiiiiieeeees!” As such, the follow-up album, Xodus, tends to get lost in the mix. On the rare occasion it does get mentioned, it’s usually to talk about the amount of beat biting going on throughout the album. It’s not exactly a false charge: “F.T.P.” straight-up takes Special Ed’s “I Got It Made” beat and adds a few sounds to it, the title track stomps along with D-Nice’s “Call me D-Nice” getting looped up with the “Big Beat” drums locked in, and MC Lyte (“Paper Thin”), LL Cool J (“Big Ol’ Butt”) and Terminator X (“Terminator X Buck Whylin’”) all get jacked on “Holy Rum Swig.”
But don’t let the rampant beat-jacking make you think X-Clan suddenly forgot how to make beats. The first single off the album, “Fire & Earth (100% Natural)” showed real production skills, and the lead-off song on the album, “Cosmic Ark,” is an underappreciated bit of production work that shows real sampling creativity.
M’man and fellow 45 Sessioner E Da Boss hollered at me to do a mix for Grown Kids Radio. How could I say no? So I put together a half hour of funk tunes that sound great when bumped on a nice summer day. Head on over to Grown Kids Radio to listen and/or download!
Here’s the track listing:
Earth, Wind & Fire – “Moment of Truth”
The Joe Tex Band – “Chocolate Cherry”
Bobby Byrd – “Keep Doing What You’re Doing”
Edwin Starr – “Adios Senorita”
The Fatback Band – “Put the Funk on You”
Finished Touch – “Mighty Good Friends”
The Nite-Liters – “Down and Dirty”
Herbie Hancock – “Fat Mama”
Doris – “Don’t”
Honey Cone – “Stick Up”
Rosetta Hightower – “A Little More Line”
Marvin Gaye & Tammi Terrell – “Little Ole Boy, Little Ole Girl”
I gave A Taste of Honey’s classic groove a quick touchup–rearrangement, more drums, more bump. Check it out.
“EDM is, to me, firmly ensconced in its ‘Arena Rock’ phase — much like in the way that rap music has both feet firmly planted in terrain too similar to the harmless and entertaining yet vapid realm of ’80s hair metal. Yet one must understand that such progression cannot continue without the eventual backlash. The physics law of for every action there is an equal and opposite reaction applies here, and with such vehement corporate co-opting we can all expect to see the rubber band snap back. Rap and dance music both need their 1988 or their 1991, and it will happen.”
-Cosmo Baker, hitting the nail squarely on the head
One from the hard-drive archives: This cut from 2008 was originally meant to be the follow up to “Kung Fu Kwaku,” but somewhere along the line, it got lost in the sauce, and I pretty much forgot about it, except that it occasionally pops up on my iPod. I also made this track in order to take on two technical challenges:
1. Simulate stereo sampling with the SP-1200
2. See if I could freak a bass line to make it do things the original record doesn’t do at all
It was kinda cool to figure those things out as I went along. Hell, I’m not even sure if I could do that bass line again–I’d have to go back to the Pro Tools session and see if I can figure out what I did.
The song: “Build and Destroy’”
The producer: Kenny Parker
The science: For a crew with the word “productions” right there in its name, Boogie Down Productions doesn’t get talked about too much when we get to listing the best producers or the best beats or what have you. That’s understandable when the real driving force of BDP is arguable the greatest rapper of all time, KRS-One, but still, the beats on those BDP albums don’t get talked about too much (save Criminal Minded because of the whole Ced-Gee-jacking-Marley-Marl’s-reel-of-drum-sounds business), which is kind of a shame.
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